Tomorrow, I’m leading a photography workshop; something I rarely do. I’m looking forward to the workshop, but always feel a little funny teaching photography for a couple reasons. First, photography is a very individual activity, by which I mean that every photographer interprets the world in their own way. Because of that, trying to “teach” someone how to be a photographer seems like kind of a crazy thing. As a result, I’ll be talking very little about the interpretive part of photography, and concentrating mostly on the mechanics of how cameras work and how to use that knowledge to create art. Then I’ll try to provide a lot of examples of what’s possible with photography, hoping to inspire people to develop their own vision.
The second reason I hesitate to lead workshops in photography is that I feel pretty limited in my own knowledge. After all, I spend most of my time on my knees, photographing tiny bugs and flowers, and I’ve learned how to do that using the few pieces of equipment I happen to own. I suppose I know more than the average person, but I don’t feel like I have the kind of broad knowledge of camera equipment or techniques held by many photographers I admire; people like Michael Forsberg, Clay Bolt, Piotr Naskrecki, and Joel Sartore. Also, when I stray from my narrow range of expertise, I tend to make a lot of mistakes. That seems to happen particularly often when I attempt night time photography.
The latest example of my night time photography foibles came during the trip Kim and I made to the Niobrara Valley Preserve over the holiday season. The weather was very cold while we were there, but I braved the temperatures one night and went out to photograph in the light of a half moon. I worked along the river, mostly, shooting starry scenes with the river and silhouetted trees in the foreground. Because of the moonlight, the stars weren’t really popping in the photos, so I decided to switch and shoot the moon instead. I wandered over to “the chute”‘ a locally famous waterfall on the Niobrara River, right near the Norden Bridge. Because of the sub-zero temperatures, much of the river was frozen, but the water pouring over the falls was still ice free, and there was fog (is it really called fog in those conditions?) coming off the falls and rising up toward the moon. It was a magical scene, and I worked for about an hour to capture images of it.
Unfortunately, my mind must have been as frozen as the the ice I was (carefully!) walking around on. I completely forgot to change my aperture settings on the camera from the wide open settings I’d been using for star photos to settings that would give me more depth-of-field. And because it was dark, I had a hard time focusing anyway, and didn’t notice how out of focus many of my foregrounds were. This led to a lot of almost great photos with blurry images of rocks, ice, and/or water in the foreground. Out of that entire hour, I ended up with three images that were fairly sharp all the way across – only because I was far enough from the foreground for it to be sharp. Anything with a nice close waterfall in the foreground and starry sky in the background turned out to be junk.
I sometimes make mistakes photographing bugs and flowers too, but night time photography always seems to give me big problems. In fact, one of my biggest recurring issues with bug/flower photography is tied to night photography… I very often forget to reset my ISO after shooting star photos the night before and end up taking grainy photos of flowers with an obscene ISO of 2500 or so. I’m telling you – night time photography is out to get me. I’d like to think I’ll get better at it if I do more of it, and I’ve been making an effort in that regard, but so far, not much luck. Fortunately, there are lots of bugs and flowers to photograph during the daylight hours, so my ego hasn’t completely deflated.
Gee, this wasn’t a great advertisement for my photo workshop tomorrow, was it? If you’ve signed up and are reading this, I promise I’ll do my best to make it worth your time. The good news is that the workshop happens during the day – not at night!
I enjoy all of your photographs, wish I lived closer to take your class.
Chris, from what I have seen you are completely qualified to instruct and inspire all kinds of photographers. We lead by example and yours is genuine and creative. I wish I lived closer so I could participate tomorrow.
Teaching someone how to create “art” is beyond most of us. Sounds to me you have a pretty good idea of how to teach photography. At least, better than some classes I’ve been in. :)
Wishing I was closer too — would love to take part in your classes.
Have you ever gone through “the chute” in a canoe?
I’ve canoed through the chute twice. The first time my scout leader got dumped out of the canoe, but I managed to stay in it. The next time another adult and I made it through the chute. However, this time the adult tried to step out of the canoe when we were in the deep water formed by the eddies after the chute. As he fell into the water he grabbed the side of the canoe, which dumped me and the gear into the river. Needless to say, after managing to safely navigate the chute I was very unhappy to get dumped into the water after I had thought the difficult part was over.
I always look forward to reading your posts every week. Thank you!
I suspect your fog is what we call “sea fog” down here. It’s a term that covers two situations: relatively warmer, moister air flowing over colder water, or very cold air flowing across warmer waters. I’d suspect the second in this case — it’s not unlike steam rising from a power plant or factory in winter. In any event, the photos are beautiful. If I were up there, I’d be in your class in a minute.
Chris, great post! I can’t tell you (because I’d be embarrassed to) how many times I, too, have forgotten to reset my ISO after taking low-light shots. As far as your teaching goes, if you can tell people what the various settings on a good DSLR do, you will more than have made their participation worthwhile.
Love those river pictures Chris! >
Oh my gosh! I would sign up for one of your workshops in a heartbeat! How do we find out about them in the future?